About Us  |   Organizing Team  |   The Association  |   Greetings  |   Essays  |   Links  |   Contact Us
International  |   Israeli  |   Money   |   Adaptations   |   Gila Almagor   |   The Woman with the Movie Camera
Prizes  |   Jury  |   Winners
News  |   Events  |   Special Screenings
Program  |   Tickets  |   Locations
  Money

Between Rooms
December 25th
Frozen River
Google Baby
I Like to Work
Mamma Please Call Me
My Little Empire
Snow
The Forest for the Trees
Wasp
Wendy and Lucy
You Will Know

International Films
Israeli Films
Money
Adaptations
Gila Almagor
The Woman with the Movie Camera


I Like to Work


Italy, 2004


Anna's life goes wrong when a corporation buys the company where she works as secretary. According to the law, she is entitled to significant compensation should she be fired due to the changes. But as the company spares the compensation money on one hand, but does not need Anna on the other, there is a process of implied and unbearable abusing of her to make her quit. But Anna, sole provider for her daughter Morgana, holds to her position as hard as she can. I Like to Work is a film about the battle of an individual for their rights in an industrialized capitalist society. Differing from other films about similar conflicts with a man as their hero (Modern Times of Chaplin or The Last Laugh of Murnau), in I Like to Work the heroin tries to survive in the work world specifically cruel towards women and single mothers.

àðé àåäáú ìòáåã

Fiction  | 35 mm  |  89   Minutes  |  Color  |  Italian, English & Hebrew subtitles

Screenplay: Francesca Comencini
Cast: Nicoletta Braschi, Camille Dugay Comencini, Rosa Matteucci
Cinematography: Luca Bigazzi
Editing: Massimo Fiocchi
Production: Donatella Botti
Festivals: Cannes, Berlin, London
Source: Les Films du Losange, France

12/9, 17:00

Screened with the films:
Between Rooms

› Back

International Women's Film Festival I Like to Work,  Francesca Comencini
Sitemap | Contact Us | Archive | Mailing List

©   All rights reserved to Women in the Picture Association and the International Women’s Film Festival